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In occasione del centenario della nascita del grande Astor Piazzolla<\/strong>, straordinario musicista e padre del Nuevo tango, l’Orchestra Sinfonica di Milano<\/strong> propone \u201cC\u2019era 100 volte Astor<\/strong>\u201d; un\u2019occasione per ritornare alla musica del grande Piazzolla, alla cui scoperta ci conduce il M\u00b0 Alessandro Cerino<\/strong> \u2013 ideatore del progetto \u2013 insieme alla voce di Daniela Panetta<\/strong> e alla batteria di Tony Arco<\/strong> nella splendida cornice del Castello Sforzesco di Milano<\/strong>.<\/p>\n PROGRAMMA<\/p>\n Alessandro Cerino, Astor for ever<\/p>\n Astor Piazzolla, Solitude – Los Pajaros perdidos – Escolaso – Escualo<\/p>\n Ave Maria-El Infierno tan temido – Libertango – Oblivion<\/p>\n Alessandro Cerino Liberthanks<\/p>\n <\/p>\n <\/p>\n Castello Sforzesco 29 agosto 2021<\/p>\n Diremo che le aspettative di chi avrebbe voluto riascoltare la musica di Astor Piazzolla<\/strong> sono state almeno in parte disattese. Quel che in locandina non viene chiaramente annunciato sono la rivisitazione e l\u2019arrangiamento operati dal M\u00b0 Alessandro Cerino<\/strong> alle partiture originarie. Ammesso e concesso (o non concesso, che dir si voglia) che come dice Cerino, dopo cento anni, sia lecito metter mano e pesantemente al lavoro di chi non essendo presente non potr\u00e0 esprimere approvazione o diniego, resta pur sempre l\u2019amaro in bocca per aver ascoltato qualcosa di diverso da quanto ci si aspettava.<\/p>\n
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